Luis Marden

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Luis Marden (born Annibale Luigi Paragallo) (January 25, 1913 March 3, 2003) was an American photographer, explorer, writer, filmmaker, diver, navigator, and linguist who worked for National Geographic Magazine. He worked as a photographer and reporter before serving as chief of the National Geographic foreign editorial staff. He was a pioneer in the use of color photography, both on land and underwater, and also made many discoveries in the world of science. His polymathic nature have led many to consider him the epitome of the "National Geographic man," the old-time adventurer who trekked to the edges of the globe in search of material for the magazine's longer articles. Though he had officially retired in 1976, Marden continued to write occasional stories long after. He wrote more than 60 articles for the magazine.
Contents
1 Youth and Early Adventures
2 Underwater Photography and Diving
3 Marden and the Guanahani Debate
4 Activities as a Linguist
5 Fly-rods and bamboo
6 Other activities
7 Friendships and Honors
8 The Marden House
9 Death
10 Discoveries
11 Named after Marden
12 Sources
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Youth and Early Adventures
Born in Chelsea, Massachusetts of Italian heritage, Marden went by the name Louis Paragallo while growing up in nearby Quincy. Marden was introduced to photography at a chemistry class while attending Quincy Senior High School. Marden's interest was intense and lasting. In 1932, at the age of 19, he wrote a book called Color Photography with the Miniature Camera, which may be the first book ever published on 35mm color photography.
Marden began his career at a radio station in Boston, where he had a photography program called "Camera Club of the Air." On his station manager's recommendation, he changed his name to Luis Marden, his new surname a random selection from a phone book. He then worked as a freelance photographer for The Boston Herald.
His expertise in color photography subsequently brought him to National Geographic magazine, where he was officially hired on July 23, 1934. The magazine prided itself on publishing quality color photography, and Marden was making good use of a lightweight Leica, which could hang from a single neck strap. Marden successfully convinced the magazine to see the benefits of using the small 35mm cameras loaded with the new Kodachrome film over the bulky cameras with tripods and glass plates that were being used by the magazine's photographers at the time.
Marden's first assignment as a reporter was in the Yucat閱� Peninsula. After sailing on a tramp steamer, Marden explored the peninsula with a Model T Ford. He then acquired a mule. He got decompression sickness after diving in a holy Mayan well.
Underwater Photography and Diving
Marden's knowledge of Spanish led to his appointment during World War II as National Geographic's "Latin America man," and Marden was sent on assignments throughout Central America, South America, and the Caribbean. In 1941, he dove off Antigua, where he saw his first coral reef.
Deciding he wanted to photograph the riches of the deep, Marden worked with Jacques Cousteau aboard the Calypso in the mid-1950s. A pioneer of underwater color photography, Marden developed many techniques in this field that are still used today, such as the use of filters and auxiliary lighting in order to enhance color.
Marden discovered the remains of Captain Bligh's HMS Bounty in January 1957. After spotting a rudder from this ship in a museum on Fiji, he persuaded his editors to let him dive off Pitcairn Island, where the rudder had been recovered. Despite the warnings of one islander -"Man, you gwen be dead as a hatchet!"[1] Marden dove for several days in the dangerous swells near the island, and found the remains of the fabled ship. He subsequently met with Marlon Brando to counsel him on his role as Fletcher Christian in the 1962 film Mutiny on the Bounty. Later in life, when he stuck with his tailored English suits while his colleagues wore more casual attire, Marden wore also cuff links made of nails from the Bounty. MGM had a reconstruction of the Bounty built for their 1962 film, named the Bounty II. This vessel was built, of wood, to the original plans, in a traditional manner in a shipyard in Lunenberg, Nova Scotia. However, all the dimensions were increased by approximately one third to accommodate the large cameras in use at that time.
At the island of Tofua (Bligh spelled it Tofoa), Bligh and eighteen loyalists had sought refuge in a cave in order to augment their meager provisions. In the March 1968 issue of the National Geographic Magazine, Marden claimed to have found this cave as well as the grave of John Norton, a crewman stoned to the death by the Tofuans. Both findings were later disproved by Bengt Danielsson (who had been a member of the 1947 Kon-Tiki...(and so on)

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