Solomon R. Guggenheim Museum

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Solomon R. Guggenheim Museum
The front of the Guggenheim Museum from 5th Avenue

Location of the Solomon R. Guggenheim Museum in New York City
Established
1937
Location
Upper East Side in New York City
Type
Art museum
Director
Richard Armstrong
Public transit access
86th Street (IRT Lexington Avenue Line)
Website
Official Website
Coordinates: 4046?59?N 7357?32?W? / ?40.782975 73.958992? / 40.782975; -73.958992
The Solomon R. Guggenheim Museum, which opened on October 21, 1959, is one of the best-known museums in New York City and one of the 20th century's most important architectural landmarks. Designed by Frank Lloyd Wright, the museumwhich is often called simply The Guggenheimis home to a renowned permanent collection of Impressionist, Post-Impressionist, early Modern, and contemporary art, and also features special exhibitions throughout the year. Located on the Upper East Side in New York City it is the second museum opened by the Solomon R. Guggenheim Foundation which was founded in 1937. 2009 will mark the 50th year anniversary of the Frank Lloyd Wright building, which recently underwent an extensive, three year renovation. In September, 2008, the Board of Trustees of the Solomon R. Guggenheim Foundation confirmed the appointment of Richard Armstrong as its fifth director, effective November 4, 2008. He succeeds Thomas B. Krens, who served as Director from 1998.
Contents
1 History
1.1 2005-2008 exterior restoration
2 Significance in popular culture
3 See also
4 References
5 External links
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History

An interior view of the museum on a busy day
Guided by his art adviser, the German painter Hilla Rebay, Solomon Guggenheim began to collect works by nonobjective artists in 1929. (For Rebay, the word "nonobjective" signified the spiritual dimensions of pure abstraction.) At first, Guggenheim showed his work from his apartment; then, as the collection grew, he established The Solomon R. Guggenheim Foundation in 1937, for the "promotion and encouragement and education in art and the enlightenment of the public." Chartered by the Board of Regents of New York State, the Foundation was endowed to operate one or more museums; Solomon Guggenheim was elected its first President and Rebay its Director.
Two years later, in 1939, the Guggenheim Foundation's first museum, "The Museum of Non-Objective Painting", opened in rented quarters at 24 East Fifty-Fourth Street in New York and showcased art by early modernists such as Rudolf Bauer, Hilla Rebay, Wassily Kandinsky, and Piet Mondrian. Guggenheim continued to add to his collection, acquiring paintings by Marc Chagall, Robert Delaunay, Fernand Ler, Amedeo Modigliani and Pablo Picasso and the collection quickly outgrew its original space. So, in 1943, Rebay and Guggenheim commissioned Frank Lloyd Wright to design a permanent structure for the collection. It took Wright 15 years, 700 sketches, and six sets of working drawings to create the museum that now stands at its present location, at the corners of 89th Street and Fifth Avenue (overlooking Central Park). The building opened in the fall of 1959, ten years after the death of Solomon Guggenheim and six months after the death of Frank Lloyd Wright.
The distinctive building, Wright's last major work, instantly polarized architecture critics upon completion, though today it is widely revered. From the street, the building looks approximately like a white ribbon curled into a cylindrical stack, slightly wider at the top than the bottom. Its appearance is in sharp contrast to the more typically boxy Manhattan buildings that surround it, a fact relished by Wright who claimed that his museum would make the nearby Metropolitan Museum of Art "look like a Protestant barn."
Internally, the viewing gallery forms a gentle helical spiral from the ground level up to the top of the building. Paintings are displayed along the walls of the spiral and also in exhibition space found at annex levels along the way.

The skylight in the center of the museum
Most of the criticism of the building has focused on the idea that it overshadows the artworks displayed within, and that it is particularly difficult to properly hang paintings in the shallow windowless exhibition niches that surround the central spiral. Although the rotunda is generously lit by a large skylight, the niches are heavily shadowed by the walkway itself, leaving the art to be lit largely by artificial light. The walls of the niches are neither vertical nor flat (most are gently concave), meaning that canvasses must be mounted proud of the wall's surface. The limited space within the niches means that sculptures are generally relegated to plinths amid the main spiral walkway itself. Prior to its opening, twenty-one artists, including Willem de...(and so on) To get More information , you can visit some products about spade terminal, fox furs, . The cotton yarn dyed fabric products should be show more here!